Beim Urteil des Paris sind es Paris und drei Damen, hier sind es zwei Paare.
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Das Bild erklärt sich fast von selbst: Zwei Frauen veranstalten mit ihren Liebhabern ein Picknick. Der ursprünglich von Manet ersonnene Titel La Partie carée (sinngemäß ‚Der flotte Vierer‘) macht die Absicht, die das Werk ausdrückt, noch deutlicher.
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Der Tizian ist ähnlich von der Anzahl der Personen her, obwohl
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The subject was perhaps the allegory of poetry and music: the two women would be an imaginary apparition representing the ideal beauty, stemming from the two men's fantasy and inspiration. The woman with the glass vase would be the muse of tragic poetry, while the other one would be that of the pastoral poetry. Of the two playing men, the one with the lute would represent the exalted lyric poetry, the other being an ordinary lyricist, according to the distinction made by Aristotle in his Poetics. Another interpretation suggests that the painting is an evocation of the four elements of the natural world (water, fire, earth and air) and their harmonic relationship.
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